Morgan Toney is a Mi'kmaq folk singer-songwriter and fiddler from Nova Scotia, whose music blends Celtic folk and traditional Mi'kmaq music. He is a member of the We'koqma'q and Wagmatcook First Nations.
In just a short amount of time, Toney’s been able to invigorate both the Atlantic music communities and Mi’kmaq communities by bringing together the fiery fiddling of Cape Breton Island with the old songs of the Mi’kmaq, some dating back up to 500 years. He calls this fusion Mi’kmaltic (Mi’kmaq + Celtic) and it’s his way of celebrating his language and heritage. He’s honoring the elders who’ve taught him the songs and the language, and he’s taking his place on the front lines of Eastern Canada’s cultural divide.
With the immediate accolades and attention, it’s easy to forget that Morgan Toney is so new to the music, having only played the fiddle for a few years. But there’s something deeper at work here. His great-grandfather and three other great-uncles were all Mi’kmaq fiddlers of renown in the community. In a sense, Toney’s coming back full circle.
“There are two worlds of Mi’kmaq music,” Toney explains, “Song and fiddle. They had never come together before. People knew of each, but never had I ever seen a collaboration between Celtic and Mi’kmaq culture before.”
